As, c'mon John lighten up, even we grandpa's and grandma's deserve a little fun now and then. Besides if Chandos sells a ton of these and makes a pile of money on them that's ...
I think both retreads and new recordings have their place. There is a certain tendency among classical consumers to only purchase recordings from "known" performers, but on ...
Glad to have provided some unintentional amusement!
I received this disc a couple of days ago and haven't had the chance to hear it yet...I hope to have time this weekend.
Per Gilbert's comment above, this old Sony/Columbia ...
Soulless. Definitely the worst of OSO's collaboration with Pentatone. There is some sort of ambient hum in Symphony 64. No interpretive insights. Avoid.
There is desperate need for emoji's on here!
The disc is certainly getting a lot of air time over here so will likely feature in UK "Top Ten" charts soon! It's the kind of disc that I hate instinctively but the Christmas ...
As an aside to your comment about the Trout, Bill, I was amused by a comment made by a Classic FM radio presenter on Saturday morning after playing Schubert's Piano Quintet in ...
Chick Corea: Return to Forever
Tower Records/Universal ECM PROZ-1088
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3 of 3 recommend this, would you recommend it? yes | no
Another keeper from the Tower Records (Japan) and ECM.
Sonically very good. I don't know enough about the DR history of this title, but as far as I can tell it has not been further compressed for this SACD. It comes in with a Dynamic Range average of 11. Clearly though, it must have had a nudge at some point in the more distant past to get that figure.
The album was recorded by Tony May at IBC Studios, London, in 1972 (same studio where The Who recorded "Tommy"). The mix from multichannel to stereo master tape may have involved the use of equalization and analogue compression, common practices when preparing a tape for LP mastering.
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