SearchsearchUseruser

Bartok: Concerto for Orchestra, Dance Suite - Kocsis

Bartok: Concerto for Orchestra, Dance Suite - Kocsis

Hungaroton  HSACD 32187

Stereo/Multichannel Hybrid

Classical - Orchestral


Bartok: Concerto for Orchestra, Dance Suite, Hungarian Peasant Songs

Hungarian National Philharmonic Orchestra
Zoltan Kocsis (conductor)

Support this site by purchasing from these vendors:

bol.com
 
Presto Classical

 

Add to your wish list | library

 

22 of 23 recommend this, would you recommend it?  yes | no

All
show
Recording
show
hide
Recorded by PHOENIX Studio at Italian Institute, Budapest on 13-16 September, 2002
Recording Producer: Ibolya Tóth
Balance Engineer: János Bohus
Edited by Márta Falvay, Veronika Vincze
SACD mastered by János Gyori
Tracks
show
hide
Total time: 62:31
Reviews (1)
show
hide

Review by Graham Williams - May 31, 2004

This is one of the finest SACDs I have heard.

It was recorded in the Italian Institute in Budapest, a favourite venue with contributors to this site, in September 2002. It may have been recorded in PCM, but nothing in the booklet indicates this, nor, for that matter, DSD.

The recording of the Concerto for Orchestra in MC is a model of clarity, definition and impact. The rear channels are used discreetly, to provide ambience, and never unduly draw attention to themselves. It is, however, the performances that are outstanding.
The Hungarian National Orchestra has real character and a distinctive timbre in each of its sections, unlike many of the more famous orchestras of Europe and the US. Listen, for example, to the plaintive oboe at 4.30 in the first movement and later the pungent and incisive brass stretto from 7.01 in the same movement.

The second movement (Giuoco delle coppie) opens with the most delicious chuckling bassoons you can imagine and the string sections play superbly throughout.

If you know this work well you will be delighted by the astonishing orchestral details that are captured in this recording. Two examples: the soft tam-tam strokes at 3.15 in the Elegia and the cymbals plus tam-tam at the climax of the Intermezzo interrotto. The latter, on most recordings, appear as a mush of sound not two clearly defined percussion instruments.

The finale is fast and exciting, but not rushed. Kocsis gives his players time to articulate the notes and it pays off handsomely.

I have a number of RBCDs of this work including Reiner, Solti, Dorati and Boulez but none is better than this one.
Everything I have written above also applies to the Dance Suite, which sounds truly Hungarian, and the useful filler of the Hungarian Peasant Songs.

Congratulations to the Hungarian Ministry of National Cultural Heritage for sponsoring this wonderful recording.

I hope that Kocsis will now go on to give us the Music for Strings, Percussion and Celesta and the Miraculous Mandarin.

Copyright © 2004 Graham Williams and HRAudio.net

Performance:

Sonics (Multichannel):

stars stars
Comments (2)
show
hide

Comment by Kandiru - December 18, 2016 (1 of 2)

I agree with the review, amazingly all ot Bartok's works are available on SACD now, the only SACDs from Hungaroton.

Kocsis just recently passed on, and Hungary mourns him like a national hero, RIP or Isten nyugosztalya as we say:

https://www.theguardian.com/music/2016/nov/07/zoltan-kocsis-hungarian-pianist-dies-berlin-philharmonic

Comment by hiredfox - May 27, 2017 (2 of 2)

You should not miss this excellent recording, superb music making and of demonstration quality. One of the best sounding SACD produced, it'll certainly impress your friends. As fresh now as ever. Although the booklet notes are silent on recording details, I am fairly confident this was an early days DSD, quite possibly recorded under the supervision of the Sony engineers.