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Beethoven: Piano Sonatas 1-15 - Gulda | Contrapunctus - May 10, 2025
In my first comment, I pointed out a few small differences in this SACD release compared to previous Universal Japan editions. Now it seems there's another interesting ...
Mendelssohn, Shostakovich: Violin Concertos - Hahn, Wolff, Janowski | JPO - May 11, 2025
Disappointing experience. The multichannel area of the SA-CD layer contains a fake multichannel recording, with very little signal in the center channel. It is highly likely ...
Brahms: Ein deutsches Requiem - Suzuki | Observer - May 8, 2025
It seems that the plight of the industry has also been reflected in BIS's recording preferences, especially for releases in the last six months (which were, however, recorded ...
Tony Williams Trio: Young at Heart | Paul - May 6, 2025
This was Sony Japan’s and the world’s first DSD (Direct Stream Digital) recording. Recorded in September of 1996.
INXS: Kick | Downunderman - April 5, 2025
A guilty pleasure if ever there was one. This album has had quite the sonic journey. When originally released on CD in Australia back in 1987 It had a SPARS code of DAD and ...
Lou Reed: Berlin | Downunderman - April 4, 2025
Lou Reed does............Thick As A Brick? Who knows it might have been a conceptual influence! One quirk is that track 5. (How Do You Think It Feels) is 10 seconds shorter ...
Simon and Garfunkel: Bookends | Downunderman - April 21, 2025
This SACD mastered by Neal Harris, assisted by Shawn R. Britton and an interesting mastering at that, but not an Original Master Recording. The MoFi vinyl for this was ...
Steely Dan: Katy Lied | Scott A. - April 13, 2025
I was well pleased with Analogue Productions' versions of "Pretzel Logic" and "Can't Buy A Thrill," but this one sounded flat to me. I'm no sound expert, and maybe the CD ...
Mahler: Des Knaben Wunderhorn - Szell
Warner Music (Japan) WPCS-13318
Stereo Hybrid
Classical - Vocal
Mahler: Des Knaben Wunderhorn
Elizabeth Schwarzkopf (soprano)
Dietrich Fischer-Dieskau (baritone)
London Symphony Orchestra
George Szell
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