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Bob Dylan: John Wesley Harding

Bob Dylan: John Wesley Harding

Mobile Fidelity  UDSACD 2125

Stereo Hybrid

Pop/Rock


Bob Dylan


Stripped-Back, Unobtrusive 1967 Album a Mellow Return to Dylan's Roots and a Harbinger of Country Rock.

Leave it to Bob Dylan to follow three of the most pioneering electric-based albums in history by again deviating from the norm and straying from expectation. Hinting at a return to his folk roots and firmly pointing toward the field that became country rock, John Wesley Harding breathes with relief and freshness, the sound of an artist re-engaging with the past, forging a future, and stepping into new realms after recovering from an accident and unimaginable pressure.

This restored SACD version presents the 1967 album with the finite details and impressionistic tones. Immediately notable for the slimmed-down instrumentation, brisk flow, and simple approach, the record continues to endure via a rustic, era-defying naturalism tied to the organic sounds and warm production swathing Dylan’s acoustic guitar, mellow voice, breezy harmonica, and minor accompaniments. All of these traits translate with incredible realism and lifelike air on this reissue, which also brings out the low end of Charlie McCoy’s bass with a previously unheard supple character.

Recorded around the same time as the sessions that yielded The Basement Tapes, John Wesley Harding came together after just three studio sessions and approximately 12 hours of time. While many specifics are shrouded in mystery, a majority of songs are tied to Biblical figures, ominous matters, and morality themes. Making not just a clear sonic break from his most recent efforts, but a songwriting transformation as well, Dylan embraces a strict economy of scale, dropping beat-poetry techniques in favor of stanzas that waste no words and progress narratives at every turn. It’s as if the Bard is saying that truth is spoken here. Few, if any artists, have captured the American myth and its population of immigrants, drifters, and outlaws with such convincing scope and parabolic sagacity.

Combined with the lyrical evolution and unabashed move towards country conventions, Dylan manages to turn popular music on its side, forging a subdued hybrid style no other peers had yet attempted. Arriving during a period of intense experimentalism and psychedelia, John Wesley Harding functions as a sigh of relief, a piano- and pedal steel-flavored set steeped in requisite simplicity in an environment that was increasingly marked by chaos and madness.

Climbing to number two on the Billboard charts and quickly tallying one million in sales, the pared-down work resonated with a public ensnared by its myriad charms. Then, of course, there’s the utter brilliance of every one of the songs here, each seemingly occupying a timeless space that suggests they could've been made in 1967, 1937, or 2007. With “All Along the Watchtower,” Dylan landed upon a tune that would soon become one of the most-covered and revered tracks in history. And yet it isn't even a standout on an album on which every note just belongs.

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All
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Recording
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Analogue recording
Tracks
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1. John Wesley Harding
2. As I Went Out One Morning
3. I Dreamed I Saw St. Augustine
4. All Along the Watchtower
5. The Ballad of Frankie Lee and Judas Priest
6. Drifter's Escape
7. Dear Landlord
8. I Am a Lonesome Hobo
9. I Pity the Poor Immigrant
10. The Wicked Messenger
11. Down Along the Cove
12. I'll Be Your Baby Tonight
Comments (2)
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Comment by Downunderman - September 9, 2019 (1 of 2)

This issue is significantly better sounding than the Sony SACD from 2003.

Not an 'OMR' and that may have given Rob LoVerde permission to get into fixer upper mode. True or not, the sound steps away from the thin sounding somewhat antiseptic versions I have previously heard.

It is fuller sounding. The harmonica is less shrill and the bass has come up in the mix. If fact the bass ended up being somewhat of a revelation for me.

Still a bit of a (sonic) sows ear of course, but now sounding much better.

If you have stuck with the Sony SACD until now I can heartily recommend changing up to this one. It is also currently on special at some vendors.

Get it while you can.

Comment by Ben Leggett - February 28, 2022 (2 of 2)

Just listened to this one and Downunderman is 100% correct. This mastering turned me around on this album.