SearchsearchUseruser

Saint-Saëns: Piano Concertos 3-5 - Kantorow, Kantorow

Saint-Saëns: Piano Concertos 3-5 - Kantorow, Kantorow

BIS  BIS-2300

Stereo/Multichannel Hybrid

Classical - Orchestral


Saint-Saëns: Piano Concertos 3-5

Alexandre Kantorow (piano)
Tapiola Sinfonietta
Jean-Jacques Kantorow (conductor)


Composer, piano virtuoso, conductor, teacher –Camille Saint-Saënswas all of these things, but also a keen archaeologist, astronomer, botanist, historian, illustrator, poet, playwright… A seasoned traveller, he was the most famous French musician in his own lifetime, acclaimed in North and South America, the Middle East and across Europe. It is ironic, then, that his extensive and varied output isn’t better known today – except for a few works of which the most famous, Carnival of the Animals, is one Saint-Saëns himself had little affection for. Now often regarded as old-fashioned or even reactionary, we tend to forget that Saint-Saëns during his lifetime was sometimes heckled for the boldness of his works. Furthermore, he defended the music of the revolutionaries Wagner and Liszt, earned the admiration of figures as Berlioz, Debussy and Ravel and – in 1908 – composed one of the first original scores for a film!

Support this site by purchasing from these vendors using the links provided below.
As an Amazon Associate HRAudio.net earns from qualifying purchases.

bol.com
 
jpc
Presto

 

Add to your wish list | library

 

6 of 6 recommend this, would you recommend it?  yes | no

All
show
Recording
show
hide
PCM recording

Recorded in September 2016 (Nos. 4 & 5) and in February 2018 (No. 3) at the Tapiola Concert Hall, Espoo, Finland, 24/96

Executive producer: Robert Suff
Comments (9)
show
hide

Comment by David Stanbury - December 27, 2020 (1 of 9)

There seems to be some engineering problem with this recording. The high frequencies are too much to bear. I say this having listened to it on my mch system and also on my higher-quality 2-channel system. An Amazon reviewer states that it sounds worse than a typical CD. But most of my BIS SACDs sound great.

Comment by john hunter - December 30, 2020 (2 of 9)

AS does this one to David.
Just listened to the Egyptian in MC.
A lovely recording in the Bis tradition.
It does have a nice open top end but it should not cause any problems on a properly set up system.
Incidentally, it's good to see the Egyptian becoming more popular and it gets a great performance from Kantorow.
Am surprised it has not been reviewed here.
Graham, Adrian where are you?

Comment by philip edwards - January 3, 2021 (3 of 9)

I agree with John on this, and was surprised by David’s judgement on the disc. I listened again to my copy in m.c. and it sounds excellent. The top end is transparent and translucent but there is a good balancing bass and big climaxes. All the reviews I could find were very flattering, with no one disliking the Sonics. Indeed David Hurwitz in Classics Today gave the Sonics a full 10/10, praising the ‘gorgeous engineering’. So David, either you have a rogue copy or you need to reconfigure your system. I suggest you try it on a friend’s system (just RBCD if necessary) or stream it from Spotify to get some idea. It really is a good recording.

Comment by David Stanbury - January 3, 2021 (4 of 9)

Thanks for your comments, Phillip. I'll play the disk for my wife to get her opinion.
But I don't understand what John means by the "Egyptian".

Comment by john hunter - January 4, 2021 (5 of 9)

The Egyptian is the nick name of the Fifth Piano Concerto David.
In the second movement I think there is a passage where the pianist plucks the strings of the piano instead of using the key board giving a distinctive sound.
It could be that that made you think the sound was strange.

Comment by Dominique MAGNIER - May 21, 2021 (6 of 9)

Fantastic SACD. Music, sound and... Alexandre Kantorow, orchestra are at the top.
Please Alexandre (and BIS), give us the 1st 2nd St-Saëns concertos with the same, and BRAHMS concertos 1 & 2 !

Comment by hiredfox - May 27, 2021 (7 of 9)

For information

"This concerto is nicknamed "The Egyptian" for two reasons. Firstly, Saint-Saëns composed it in the temple town of Luxor while on one of his frequent winter vacations to Egypt, and secondly, the music is among his most exotic, displaying influences from Javanese and Spanish as well as Middle-eastern music. Saint-Saëns said that the piece represented a sea voyage".

Comment by Dominique MAGNIER - March 30, 2022 (8 of 9)

I receive vol.2 monday with Cto 1 & 2 + others pieces with piano & orchestra like «Africa « 

Strange this SACD from BIS is not referenced here.

Best regards.

Comment by john hunter - March 31, 2022 (9 of 9)

This was meant to be released next May. Was your a download or disc?.
Thanks for drawing this to our attention.