Hopefully not and don't forget Naxos had their own DSD / SACD recordings back in the Naughties when the format was commercialised. Both sides seem to be driven by the same ...
Excellent Atmos release, more ambient than a lot of Yello releases. I purchased direct from the label, Ian Records, for reasonable price for a Blu-ray audio Atmos release ...
Sadly it appears the misinformation about this release persists - and it's mainly down to one user who is posting the same negative feedback on every forum they can find ...
I have only heard this mastering of the stereo mix, but I can say that it sounds excellent. Plenty of detail, space on the soundstage for all the performers and a very clear ...
I do not altogether disagree, but as far as I know, Ryan McKinny was a last-minute stand-in for the originally programmed German bass-baritone Hannno Müller-Brachmann. That ...
Yes, I too like Ivan's Beethoven. I look forward to this one, and more.
Pity about his missing the recording of the Ninth by one day in 2020 due to Covid restrictions coming ...
3 of 3 recommend this, would you recommend it? yes | no
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Comments (2)
Comment by PaulSARenaud - November 27, 2021 (1 of 2)
Does anybody know the history of these recordings? In what quality were they recorded and mastered for this SACD? Are they only upsampled 16/44.1 recordings or something better and thus worthwhile to have been mastered into a SACD?
Comment by John Bacon-Shone - January 10, 2022 (2 of 2)
According to the link below, this was an analog recording by Al Schmitt:
Comment by PaulSARenaud - November 27, 2021 (1 of 2)
Does anybody know the history of these recordings? In what quality were they recorded and mastered for this SACD? Are they only upsampled 16/44.1 recordings or something better and thus worthwhile to have been mastered into a SACD?
Comment by John Bacon-Shone - January 10, 2022 (2 of 2)
According to the link below, this was an analog recording by Al Schmitt:
https://www.audiophilereferencerecordings.com.au/diana-krall-live-in-paris-45rpm.html