Mozart: Symphonies 35, 36, 38-41 - Kubelik

Sony Classical (Japan) SICC-10460 (3 discs)
Stereo Hybrid
Classical - Orchestral
Mozart: Symphonies 35, 36, 38-41
Symphonieorchester des Bayerischen Rundfunks
Rafael Kubelik (conductor)
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- Wolfgang Amadeus Mozart: Symphony No. 35 in D major, K. 385 'Haffner'
- Wolfgang Amadeus Mozart: Symphony No. 36 in C major, K. 425 'Linz'
- Wolfgang Amadeus Mozart: Symphony No. 38 in D major, K. 504 'Prague'
- Wolfgang Amadeus Mozart: Symphony No. 39 in E flat major, K. 543
- Wolfgang Amadeus Mozart: Symphony No. 40 in G minor, K. 550
- Wolfgang Amadeus Mozart: Symphony No. 41 in C major, K. 551 'Jupiter'
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Comment by EugenF - August 20, 2025 (1 of 4)
From CDJapan & discogs I found the date of recording was June 9, October 15, 16, 1980 and it was a digital recording.
Just wander what was the bit resolution and sampling frequency of the original master?
What equipment sound engineers did they used? Digital audio tapes ?
Comment by Contrapunctus - August 20, 2025 (2 of 4)
Eugen, on discogs I've found some more recording details (-> CBS Masterworks 36729): "Digitally recorded using the Sony PCM 1600 system". Consequently, the master recordings (at least symphonies 35 & 36) are U-Matic tapes (PCM 16bit/44.1 kHz).
Comment by EugenF - August 20, 2025 (3 of 4)
Thank you Contrapunctus for infos.
So, what are the benefits of upsampling (or 'up-converting') from PCM 16bit/44.1 kHz to DSD ?
I found the same think of 'up-converting' on Chopin: 15 Nocturnes - Pires, ESOTERIC ESSG-90260 .
Quote from booklet:
'...that was up-converted from the original 44.1kHz/16bit master with the high technology'.
Chopin: 15 Nocturnes - Pires
Comment by DYB - August 31, 2025 (4 of 4)
"...with the high technology" is standard Esoteric line and I don't think anybody knows what it means.
Having said that, I've enjoyed a few of their releases of digital recordings, most notably Carlo Kleiber's "Tristan und Isolde" recording.
But this one is released by Sony directly, so who knows.