I would welcome inputs from colleagues on a reliable source for purchasing Exton recordings. Links are never offered on here and CD Japan seem unable to access them.
A fantastic interpretation of an irresistible masterpiece.
Very good recording for the age, with a natural and credible sound-stage.
Beware: there are digital ...
Hello everyone,
After carefully listening to the Mobile Fidelity UDSACD2085 SACD and the Japanese SMEJ SICP-10083 SACD, it's difficult to say which is superior to the other. ...
In comparing this SACD with my copy of the 2013 CD remaster that was glass mastered/pressed in the US I can say that the SACD is the more immediate and detailed sounding of ...
I own a DVD-Audio of this album.
It is the best album I ever hear when it comes to alternative electronic music.
Hi resolution, real 5.1.
This album is remixed in studio ...
It's a compilation of two sessions, both recorded at WOR studios NYC: August 9, 1949 (quintets with Fats Navarro and Sonny Rollins) and May 1, 1951 (piano trios). It makes ...
1 of 1 recommend this, would you recommend it? yes | no
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Comments (1)
Comment by Downunderman - April 1, 2025 (1 of 1)
Unexpectantly this SACD is a little bit of a step up from my 2011 CD version.
I have not heard the 2019 CD version though, so a pinch of salt is warranted!
Compared to the 2011 CD version, which has a disc runtime of 57:35, this SACD is slightly longer at 57:43. It is also given a phonographic copyright year of 2024. So, it's either a DSD'd version of the 2019 CD release (which has a phonographic copyright date of 2019) or it's a new master.
In common with the recent Allan Holdsworth SACD's the disk is also glass mastered & pressed by Sony DADC in Europe, rather than Japan.
It's a great album and certainly, this will be the one to get if you are in the market for a digital version of this title.
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Comment by Downunderman - April 1, 2025 (1 of 1)
Unexpectantly this SACD is a little bit of a step up from my 2011 CD version.
I have not heard the 2019 CD version though, so a pinch of salt is warranted!
Compared to the 2011 CD version, which has a disc runtime of 57:35, this SACD is slightly longer at 57:43. It is also given a phonographic copyright year of 2024. So, it's either a DSD'd version of the 2019 CD release (which has a phonographic copyright date of 2019) or it's a new master.
In common with the recent Allan Holdsworth SACD's the disk is also glass mastered & pressed by Sony DADC in Europe, rather than Japan.
It's a great album and certainly, this will be the one to get if you are in the market for a digital version of this title.