The details pop out on this release and the sound is warm and very natural. If only every CD release was this good. As a fan of this album since my teens, I am very happy to ...
Some ideas work, some don't Adrian. This doesn't sound like one that does from your comments and Graham's
Sadly it'll pass me by even though every Sound Mirror recording is a ...
I am a bit late to the party, but I just listened to this one from the eclassical 96/24 download. I concur with HiredFox's thought on the Concierto. I also enjoyed the newly ...
This is the third set of this kind from the Berliner. There is a Furtwängler and Karajan (1953 - 1969) set. I think they would not publish a set if the other two wouldn’t ...
The story of this recording and the pitfalls it encountered during it's making can be accessed online at https://sdarchive.com/dennys3.html and is an article on the recording ...
Can it get any better than this? Knappertsbusch's association with Parsifal was a long one and this is considered by many to be the very best of his recordings of this work. ...
No, it's stereo only, as you would expect from the date. A lovely transfer though and a clear step up from previous digital incarnations. Do a saved search on e-Bay and with a ...
3 of 3 recommend this, would you recommend it? yes | no
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Comments (2)
Comment by Ben Leggett - December 20, 2024 (1 of 2)
I was curious to see how this mastering compared to UCGQ-9019 (which I also have) so I bought this one as well.
They are VERY close (unsurprisingly). This one is mastered a bit more loudly (but has identical DR to UCGQ-9019, except for one track where this release is a smidge better, so that isn't a bad thing in this case).
Either this or UCGQ-9019 are fine choices - you don't need both, so flip a coin and keep one.
Comment by Downunderman - February 4, 2025 (2 of 2)
Released November 2024 and a title in the [Blue Note 85th Anniversary Reissue Series Remastered by Kevin Gray]
Looks like it is Dsd'd from a 96kHz/24bit source though based on this from the CD Japan website.
"This is the latest reissue series of Blue Note, the most powerful jazz label in history, commemorating the 85th anniversary of its foundation. The latest remastering was done by Kevin Gray, an engineer who has also been a master of US Blue Note's analog reissue series such as "Tone Poet" and "Classic Vinyl." By using the 96kHz/24bit digital source material he created for the analog reissues, he has reproduced the sound of the original master tapes as faithfully as possible to achieve the ultimate analog sound."
Comment by Ben Leggett - December 20, 2024 (1 of 2)
I was curious to see how this mastering compared to UCGQ-9019 (which I also have) so I bought this one as well.
They are VERY close (unsurprisingly). This one is mastered a bit more loudly (but has identical DR to UCGQ-9019, except for one track where this release is a smidge better, so that isn't a bad thing in this case).
Either this or UCGQ-9019 are fine choices - you don't need both, so flip a coin and keep one.
Comment by Downunderman - February 4, 2025 (2 of 2)
Released November 2024 and a title in the [Blue Note 85th Anniversary Reissue Series Remastered by Kevin Gray]
Looks like it is Dsd'd from a 96kHz/24bit source though based on this from the CD Japan website.
"This is the latest reissue series of Blue Note, the most powerful jazz label in history, commemorating the 85th anniversary of its foundation. The latest remastering was done by Kevin Gray, an engineer who has also been a master of US Blue Note's analog reissue series such as "Tone Poet" and "Classic Vinyl." By using the 96kHz/24bit digital source material he created for the analog reissues, he has reproduced the sound of the original master tapes as faithfully as possible to achieve the ultimate analog sound."
It has the same remastering provenance as Dexter Gordon: Go#
And yes, it sounds very good to my ears too!