I am a bit late to the party, but I just listened to this one from the eclassical 96/24 download. I concur with HiredFox's thought on the Concierto. I also enjoyed the newly ...
Yeah, excellent sounding.
The phonographic copyright year is consistently given as "1995" on the release, so if correct there must have been some sort of a transfer ...
Chris Bellman has done a good job on the mastering here.
There are grumbles in some quarters that the bass is not as strong as they would like, but this is essentially a ...
This new Mofi sacd was a complete surprise to me.
A fabulous transfer and listen.
Mofi either has original master recording or mobile fidelity sound lab as info for the tape ...
How right you were, Breydon Music. It’s not a minor difference. Everything is now (in the Tower remaster) so much more open, transparent, delicate, and defined, and the ...
A very risky venture to have remastered all of these recordings in the SACD format. The cost is prohibitive, will anybody buy them or indeed have the time to listen to every ...
3 of 3 recommend this, would you recommend it? yes | no
All
Recording
Analogue recording
Comments (1)
Comment by Downunderman - November 5, 2025 (1 of 1)
Second time around on SACD for Analogue Productions with this title. Their original SACD SACD release was in 2013 Stan Getz, Charlie Byrd: Jazz Samba
This latest incarnation was released August 2025 and is a later title in the Japan Acoustic Sounds SACD series. It is based on a 2019 DSD transfer and this time around is mastered by Ryan K. Smith.
Sounds very good too.
I don't know how it compares to the 2013 SACD mastering by George Marino though.
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Comment by Downunderman - November 5, 2025 (1 of 1)
Second time around on SACD for Analogue Productions with this title. Their original SACD SACD release was in 2013 Stan Getz, Charlie Byrd: Jazz Samba
This latest incarnation was released August 2025 and is a later title in the Japan Acoustic Sounds SACD series. It is based on a 2019 DSD transfer and this time around is mastered by Ryan K. Smith.
Sounds very good too.
I don't know how it compares to the 2013 SACD mastering by George Marino though.