Steely Dan: The Royal Scam

Analogue Productions CAPP 138 SA
Stereo Hybrid
Pop/Rock
Steely Dan
The Royal Scam — Steely Dan's platinum-selling fifth studio album reissue
Steely Dan's platinum-selling fifth studio album The Royal Scam, was produced by Gary Katz and was originally released by ABC Records in 1976. The Royal Scam features more prominent guitar work than the prior Steely Dan album, Katy Lied, which had been the first without founding guitarist Jeff Baxter. Guitarists on the recording include Walter Becker, Denny Dias, Larry Carlton, Elliott Randall and Dean Parks.
The album was certified platinum-selling and peaked at No. 15 on the Billboard 200.
In common with other Steely Dan albums, The Royal Scam is littered with cryptic allusions to people and events both real and fictional. In a BBC interview in 2000, Becker and Fagen revealed that "Kid Charlemagne" is loosely based on Owsley Stanley, the notorious drug "chef" who was famous for manufacturing hallucinogenic compounds, and that "Caves of Altamira," based on a book by Hans Baumann, is about the loss of innocence, the narrative about a visitor to the Cave of Altamira who registers his astonishment at the prehistoric drawings.
Rolling Stone, in its review of the album, described The Royal Scam, as Steely Dan's "mostatypical record, possessing neither obvious AM material nor seductive lyrical mysteriousness. It also contains some of their most accomplished and enjoyable music.
"... the overall feeling of Scam is one of just that: tension. There is little of the self-confident gentleness that dotted Pretzel Logic, less still of the omniscience that suffused Katy Lied. The Royal Scam is a transitional album for Steely Dan; melody dominates lyric in the sense that the former pushes into new rhythmic areas for the group (more "pure" jazz, semireggae and substantially more orchestration than before) while the verbal content is clearer, even mundane, by previous Dan standards," said the Rolling Stone review.
Nearly every song on Scam concerns a narrator's escape from a crime or sing recently committed, the review continued. "Becker and Fagen have really written the ultimate 'outlaw' album here, something that eludes myriad Southern bands because their concept of the outlaw is so limited. Rather than just, say, robbing banks ('Don't Take Me Alive,' in which the robber is a 'bookkeeper's son'), Becker and Fagen's various protagonists are also solipsistic jewel thieves ('Green Earrings'), spendthrift divorcées ('Haitian Divorce') and murderously jealous lovers ('Everything You Did')."
AllMusic gives the album 4.5 stars, saying the best songs on The Royal Scam, "Kid Charlemagne" and "Sign in Stranger" "rank as genuine Steely Dan classics."
The album cover shows a man in a suit, sleeping on a radiator, and apparently dreaming of skyscraper-beast hybrids. The cover was created from a painting by Zox and a photograph by Charlie Ganse, and was originally created for Van Morrison's unreleased 1975 album, Mechanical Bliss, the concept being a satire of the American Dream. In the liner notes for the 1999 remaster of the album, Fagen and Becker claim it to be "the most hideous album cover of the seventies, bar none (excepting perhaps Can't Buy a Thrill)."
After a brief battle with esophageal cancer, Walter Becker died on September 3, 2017 at the age of 67. Steely Dan has sold more than 40 million albums worldwide and were inducted into the Rock and Roll Hall of Fame in March 2001. VH1 ranked Steely Dan at No. 82 on their list of the 100 Greatest Musical Artists of All Time. Rolling Stone ranked them No. 15 on its list of the 20 Greatest Duos of All Time.
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Comment by Downunderman - August 11, 2025 (1 of 3)
I have struggled over the years to connect emotionally/intellectually with this album, but try as I might I just can't get there and I'm big Dan fan. A sense of humanity, humility even, seemingly abandoned. It comes across as mostly nasty and distant. Maybe the coke use had got far too out of hand by that point in their career.
They were well on top of the studio though by this point, so the recording sounds excellent and the DSD master has carried this forward, highlighting what a good recording it is with a nice flat transfer. You get more of the detail and spaciousness, but it still sounds analogue.
Comment by John Bacon-Shone - August 14, 2025 (2 of 3)
I think there were problems with the dBX processing on this album, so to me, the recording quality is inferior to say, Aja. I do think this is the best version though.
Comment by Jim Brock - August 21, 2025 (3 of 3)
It was Katie Lied that had the dBx issue. This disc sounds fine to me, better than Katie Lied but not as pristine as later recordings like Aja and Gaucho. Go figure.