The Berliner Philharmoniker and Herbert von Karajan: Live in Berlin 1970–1979

Berliner Philharmoniker BPHR-250571 (20 discs)
Stereo Hybrid
Classical - Orchestral
Johann Sebastian Bach:
Brandenburg Concerto No. 1 in F major, BWV 1046 (Thomas Brandis, Hansjörg Schellenberger, Burkhard Rohde, Heinrich Kärcher, Gerd Seifert, Dieter Fischer, Philipp Moll)
Brandenburg Concerto No. 3 in G major, BWV 1048 (Michel Schwalbé, Léon Spierer, Wolfram Christ, Ottomar Borwitzky, Eberhard Finke, Friedrich Witt, Rainer Zepperitz, Herbert von Karajan)
Béla Bartók:
Music for Strings, Percussion and Celesta, Sz 106
Ludwig van Beethoven:
Symphony No. 3 in E flat major, Op. 55 “Eroica”
Symphony No. 7 in A major, Op. 92
Alban Berg:
Three Pieces from the Lyric Suite for string orchestra
Three Pieces for Orchestra, Op. 6
Hector Berlioz:
Symphonie fantastique, Op. 14
Johannes Brahms:
Symphony No. 2 in D major, Op. 73
Concerto for Violin, Cello and Orchestra in A minor, Op. 102 (Thomas Brandis, Ottomar Borwitzky)
Anton Bruckner:
Symphony No. 4 in E flat major “Romantic” (2nd version from 1878/80)
Symphony No. 5 in B flat major
Claude Debussy:
Prélude à l’après-midi d’un faune
Antonín Dvořák:
Symphony No. 8 in G major, Op. 88
Symphony No. 9 in E minor, Op. 95 “From the New World”
Gustav Mahler:
Das Lied von der Erde (The Song of the Earth) (Agnes Baltsa, Hermann Winkler)
Felix Mendelssohn:
Symphony No. 3 in A minor, Op. 56 “Scottish”
Wolfgang Amadeus Mozart:
Symphony No. 41 in C major, K. 551 “Jupiter”
Concerto for Piano and Orchestra No. 23 in A major, K. 488 (Jean-Bernard Pommier)
Sinfonia concertante for four winds in E flat major, K. 297b (Karl Steins, Karl Leister, Gerd Seifert, Manfred Braun)
Modest Mussorgsky:
Pictures at an Exhibition (arr. by M. Ravel)
Krzysztof Penderecki:
Capriccio for Violin and Orchestra (Leon Spierer)
Maurice Ravel:
Daphnis et Chloé, Suite No. 2
Arnold Schoenberg:
Pelleas und Melisande, Op. 5
Franz Schubert:
Symphony No. 7 in B minor, D 759 “Unfinished”
Robert Schumann:
Symphony No. 4 in D minor, Op. 120
Jean Sibelius:
Symphony No. 4 in A minor, Op. 63
Symphony No. 5 in E flat major, Op. 82
Concerto for Violin and Orchestra in D minor, Op. 47 (Christian Ferras)
Finlandia, Op. 26
Richard Strauss:
Metamorphoses, Study for 23 solo strings
Also sprach Zarathustra (Thus Spoke Zarathustra), Op. 30
Ein Heldenleben (A Hero’s Life), Op. 40
Igor Stravinsky:
Le Sacre du printemps (The Rite of Spring)
Werner Thärichen:
Batrachomyomachia, Op. 55 (Werner Thärichen, Oswald Vogler, Walton Grönroos, Kammerchor Ernst Senff, Ernst Senff)
Pyotr Ilyich Tchaikovsky:
Symphony No. 5 in E minor, Op. 64
Concerto for Piano and Orchestra No. 1 in B flat minor, Op. 23 (Mark Zeltser)
Antonio Vivaldi:
Sinfonia for Strings in B minor, RV 169 “Al Santo Sepolcro”
Anton Webern:
Five Movements for String Orchestra, Op. 5
Gerhard Wimberger:
Plays for 12 solo cellos, wind and percussion (The 12 Cellists of the Berliner Philharmoniker)
Berliner Philharmoniker
Herbert von Karajan (conductor)
This edition presents the second part of a series of largely unreleased live recordings, which chronologically trace the Berliner Philharmoniker’s years with Herbert von Karajan. Following the formative phase of the 1960s, the recordings from the 1970s cover the heyday, when the chief conductor and orchestra had fully found their feet and perfected the sound that was so characteristic of their partnership. The edition not only complements the existing joint discography, but also provides a counterpoint: while the widely known recordings were mostly made in the studio, these recordings capture the unique magic of a live concert.
The recordings in the edition, which are presented in their entirety, also offer an insight into Herbert von Karajan’s dramaturgical approach. Beethoven’s and Bruckner’s symphonies have a firm place in it, but so do works that provide a contrasting colour – which the conductor, however, recorded on disc only in part. In addition, this journey through time allows listeners to encounter orchestra members such as concertmasters Leon Spierer and Thomas Brandis, who appear as protagonists in solo concertos.
The recordings were made between 1970 and 1979 by Rundfunk im Amerikanischen Sektor (RIAS) and Sender Freies Berlin (SFB). They have been digitally remastered from analogue recordings to achieve the best possible quality for this edition. The hardcover box, designed by Thomas Scheibitz, contains the recordings on 20 CDs/SACDs (hybrid), as well as an accompanying book with in-depth essays and photos portraying Herbert von Karajan, the man and musician.
Support this site by purchasing from these vendors using the paid links below.
As an Amazon Associate HRAudio.net earns from qualifying purchases.
- Johann Sebastian Bach: Brandenburg Concerto No. 1 in F major, BWV 1046
- Johann Sebastian Bach: Brandenburg Concerto No. 3 in G major, BWV 1048
- Béla Bartók: Music for Strings, Percussion and Celesta, Sz. 106 BB 114
- Ludwig van Beethoven: Symphony No. 3 in E flat major, Op. 55 'Eroica'
- Ludwig van Beethoven: Symphony No. 7 in A major, Op. 92
- Alban Berg: Lyrische Suite (1928)
- Alban Berg: Orchesterstücke (3) (1914-15)
- Hector Berlioz: Symphonie fantastique, H 48
- Johannes Brahms: Concerto for Violin and Cello in A minor, Op. 102
- Johannes Brahms: Symphony No. 2 in D major, Op. 73
- Anton Bruckner: Symphony No. 4 in E flat major, WAB 104 'Romantic'
- Anton Bruckner: Symphony No. 5 in B flat major, WAB 105
- Claude Debussy: Prélude à l'après-midi d'un faune, L 86
- Antonin Dvořák: Symphony No. 8 in G major, Op. 88
- Antonin Dvořák: Symphony No. 9 in E minor, Op. 95 'From the New World'
- Gustav Mahler: Das Lied von der Erde (1908-09)
- Felix Mendelssohn-Bartholdy: Symphony No. 3 in A minor, Op. 56 'Scottish'
- Wolfgang Amadeus Mozart: Piano Concerto No. 23 in A major, K. 488
- Wolfgang Amadeus Mozart: Sinfonia Concertante for Woodwind in E flat major, K. 297b/Anh.C 14.01
- Wolfgang Amadeus Mozart: Symphony No. 41 in C major, K. 551 'Jupiter'
- Modest Mussorgsky: Pictures at an Exhibition (1874)
- Krzysztof Penderecki: Capriccio for Violin and Orchestra
- Maurice Ravel: Daphnis et Chloé, M. 57b Suite No. 2
- Arnold Schoenberg: Pelleas und Melisande, Op. 5
- Franz Schubert: Symphony No. 7 (8) in B minor, D 759 'Unfinished'
- Robert Schumann: Symphony No. 4 in D minor, Op. 120
- Jean Sibelius: Finlandia, Op. 26
- Jean Sibelius: Symphony No. 4 in A minor, Op. 63
- Jean Sibelius: Symphony No. 5 in E flat major, Op. 82
- Jean Sibelius: Violin Concerto in D minor, Op. 47
- Richard Strauss: Also sprach Zarathustra, TrV 176
- Richard Strauss: Ein Heldenleben, TrV 190
- Richard Strauss: Metamorphosen, TrV 290
- Igor Stravinsky: Le Sacre du printemps (The Rite of Spring), K015
- Peter Tchaikovsky: Piano Concerto No. 1 in B flat minor, Op. 23
- Peter Tchaikovsky: Symphony No. 5 in E minor, Op. 64
- Werner Thärichen: Batrachomyomachia, Op. 55
- Antonio Vivaldi: Concerto for Strings in B minor, RV 169 'al Santo Sepolcro'
- Anton Webern: Sätze (5), Op. 5
- Gerhard Wimberger: Plays for 12 solo cellos, wind and percussion
Click here to report errors or omissions in the music details.






Comment by hiredfox - December 1, 2025 (1 of 7)
A very risky venture to have remastered all of these recordings in the SACD format. The cost is prohibitive, will anybody buy them or indeed have the time to listen to every work ?
Comment by MichaelS. - December 2, 2025 (2 of 7)
This is the third set of this kind from the Berliner. There is a Furtwängler and Karajan (1953 - 1969) set. I think they would not publish a set if the other two wouldn’t sell.
Comment by darajan - December 11, 2025 (3 of 7)
The first edition of Karajan definitely has its historical value, maybe not all of them. Even the single track of Ligeti-Atmosphere could prove it without doubt. This time, there is Penderecki-Capriccio for Violin and Orchestra. We get to know how Karajan reach to these true avantgarde works besides those fine new Vienna repertoires. Also, for sound and overall recording quality, the 2nd could only be much better. I can't wait for its release.
Comment by Don_Angelo - January 15, 2026 (4 of 7)
I received my copy about five days ago and could only browse my ears upon it now for a preview.
Sonically, this is way better than the previous set which I also own. I'll post a more detailed review, especially considering I'm more attracted to the content of this second volume than the previous one I bought out of experimenting.
Comment by Contrapunctus - January 16, 2026 (5 of 7)
I'm a bit uncertain about buying this — not cheap — set, but I have to admit that I'm quite curious. The most interesting work for me in this set is most likely Bruckner's Fifth Symphony. I grew up with the DG version, and even 40 years later, that recording still has a special place in my collection.
Comment by John Broggio - February 22, 2026 (6 of 7)
My general impression so far (6 concerts through) is that the recording quality is more than acceptable and that it is a great shame that HvK's recording companies let him tinker so much for their commercial recordings; it is very noticeable that the woodwind gain a lot in these concert performances.
For once, it is possible to appreciate why this partnerships reputation was developed across such a broad range of composers. The studio recordings do not do conductor or orchestra justice. There is an electricity, spontaneity and humanity that is too often smoothed over in their studio counterparts. In particular, the Schubert is a world away from the audio soup dished up in the EMI cycle (the Vivaldi remains almost unrecognisable, some things don't change!)
Expensive? Undoubtably.
Worth it? Much more so than the first volume.
Hopes for a third (perhaps more) installment? An "interventionist-free" Alpensinfonie is perhaps top of the list if we must stick to progressing through time (arguably a set from their Viennese cousins might be more illuminating for this era). I can't help feeling a bit more loitering through the 1970s will still likely contain many gems to be revealed.
Comment by John Broggio - February 26, 2026 (7 of 7)
Coming to the end of the box now. The Brahms, Bruckner, Sibelius and Strauss are all well worth it. To varying degrees, so is most of the rest (some of the contemporary music is unlikely to receive further performances). I cannot stomach the Bach/Vivaldi (YMMV) but even to these normally HIP accustomed ears, the Mozart is fine and the concluding Eroica is good but (unfortunately) a slightly "flat" recording (lack of dynamic range).
What is really surprising is that, from all the concerts available, they have chosen a spectacular "dud" performance: the Tchaikovsky 1st piano concerto, where the pianist sounds as though they could be sight reading in several passages - Tchaikovsky: Piano Concerto No. 1 - Argerich, Abbado it is not. I'm honestly not sure what such a performance is supposed to illustrate for orchestra or conductor; I cannot imagine there were no alternative candidates ([part] concerts for this set or soloists at the time). It certainly goes a long way, in a negative sense, to undermine the carefully cultivated reputation that this partnership was famed for; the Brahms, Bruckner, Sibelius and Strauss do as well but in a wholly positive manner.
Applause is not included after any piece.