Stravinsky: Petrouchka, Rachmaninov: Symphonic Dances - Jansons
RCO live RCO 05004
Classical - Orchestral
Stravinsky: Petrouchka (1947 version), Rachmaninov: Symphonic Dances Op. 45
Royal Concergebouw Orchestra
Mariss Jansons (conductor)
Stravinsky’s Petrushka was performed to great public acclaim and recorded in the Concertgebouw in Amsterdam on 29 and 31 October 2004, whilst Rachmaninoff’s Symphonic Dances were recorded later that same year on 22, 23 and 25 December.
From the clear and transparent orchestral sound in Stravinsky’s Petrushka to the full glory of the symphony orchestra in the Rachmaninoff, Mariss Jansons and the Royal Concertgebouw Orchestra demonstrate once again the immense artistic heights attained by this unique collaboration between conductor and orchestra.
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Review by John Broggio - March 25, 2006
Compared to Paavo Jarvi's pedestrian version of Petrouchka (Stravinsky: L'oiseau de feu, Petrouchka - Järvi), this is everything one could wish for - life, vitality, characterisation and a vivid recording to boot! This may be due to the disc being a concert memento (well 3 performances for each piece actually) but either way, the Royal Concertgebouw Orchestra under Mariss Jansons completely outplay and conduct their Telarc rivals. Right from the opening, Jansons & his orchestra realise that to make exciting music, one needs not (just) speed but accents and an understanding of the musical counterpoint that is audibly conveyed. Added to this the engineers capture the sound very well giving a flattering (but not falsely so) sonic picture of the RCO. A nice feature of the Petrouchka is that each part of each Tableau is given its own track (15 in total). This is playing that has one on the edge of the seat, eager for more. Throughout the soloists from the orchestra are faultless and the audience is so impressed, it is hard to tell that there is an audience present!
This one of three SA-CD's of the Symphonic Dances that I have the pleasure of owning - reviews of the others (Rachmaninov: The Isle of the Dead, Symphonic Dances - Jurowski and Rachmaninov: Symphonies 1-3 - de Waart) will follow in due course. This one is possibly the most opulently played & recorded (the RFH lends a dry sound to the LPO disc) but combined with a similar level of electricity to that which Jurowski finds. There is wonderfully characteristic playing from the RCO (don't forget the superb cycle they made for Ashkenazy on Decca back in the early 1980's) and a sense of real refinement. Details are plentiful but they are allowed to come through naturally (no spotlighting here). Tempi for all three movements are well judged but against Jurowski, some will find them a little safe (particularly in the finale) and they may be thought on a par with de Waart's. As in the Stravinsky, the RCO is allowed a wonderful sense of fantasy and they exhibit keen musical intelligence. One point to note is that the final stroke on the tam-tam (gong) is not allowed to die as much as either rival disc before the applause breaks.
Copyright © 2006 John Broggio and HRAudio.net