Although the cover of this SACD states Concerto Köln, they play only one of the four works recorded here, while the rest was recorded by two different bands, in a variety of locations between 1985 and 1995.
From the dates given, I assume that the surround channels were probably artificially created. In any case they are very discreet and add only a little extra ambience to the overall sound, which is very clean and clear, although it does at times betray its early digital origins with a touch of hardness.

The short and lively Symphony in D, that is in fact the overture to La Clemenza di Scipione (1775), opens the programme. It is nicely played by the Capella Coloniensis under Hans-Martin Linde.

The longest piece on the disc, the Concerto in F minor for Harpsichord and strings performed by Christine Schornsheim and the Berliner Barock-Compagney comes next. This enjoyable work has a relaxed style and individual character that clearly distinguishes it from concertos by J C Bach’s more famous father. The harpsichord is quite forward and centrally placed giving the sort of balance that one often hears on CD but would be almost impossible to achieve in a large concert hall.

Capella Coloniensis return with the Symphony in E for double orchestra a work notable for the beguiling wind sounds in the slow movement. One orchestra consists of strings, oboes, bassoons and horns while the other of strings and flutes. Much more, however, could have been made of the antiphonal effects between the two orchestras which here are virtually non-existent.

Finally Concerto Köln give a spirited account of the dramatic Symphony in G minor that brings to mind the young Mozart’s efforts in the same key and undoubtedly shows Mozart’s debt to JC Bach whom he admired.

Altogether this is an attractive SACD of a composer poorly represented on disc and well worth the modest asking price.

Copyright © 2006 Graham Williams and HRAudio.net

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