The new release of Beethoven's piano sonatas by Universal Japan, featuring Friedrich Gulda's 1967 recordings for the Austrian label Amadeo, shows some slight differences ...
I would welcome inputs from colleagues on a reliable source for purchasing Exton recordings. Links are never offered on here and CD Japan seem unable to access them.
With High-Resolution quality recordings, the name Detmold keeps popping up. For instance, like here, with the MDG founders and sound engineers, Werner Dabringhaus & Reimund ...
DVD Audio release are not recorded on this web site. Only SACD and Blu-ray Audio releases, including box sets that contain these formats, are recorded on this web site.
It's a compilation of two sessions, both recorded at WOR studios NYC: August 9, 1949 (quintets with Fats Navarro and Sonny Rollins) and May 1, 1951 (piano trios). It makes ...
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Comments (1)
Comment by Downunderman - June 26, 2024 (1 of 1)
Kip Hanrahan's work is quite idiosyncratic. Described variously as Afro-Cuban Jazz, Fusion and Latin Jazz but somehow those descriptions don't quite cover the overall vibe of his albums.
A fair number of his albums were reissued on SACD in 2007 and this is the only one that still remains in print in Japan.
This one was originally released in 1985. The SACD remaster here was done by Greg Calbi and he has done a surprisingly good job on it.
The album was clearly well recorded, and Calbi does not seem to have tinkered with what was on tape to any noticeable extent.
It has a warm smooth analog patina and is surprisingly full sounding. As a bonus there is also no evidence of any treble boost.
Kip Hanrahan is certainly for the more adventurous, but on this SACD at least you are unlikely to be disappointed with how it sounds!
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Comment by Downunderman - June 26, 2024 (1 of 1)
Kip Hanrahan's work is quite idiosyncratic. Described variously as Afro-Cuban Jazz, Fusion and Latin Jazz but somehow those descriptions don't quite cover the overall vibe of his albums.
A fair number of his albums were reissued on SACD in 2007 and this is the only one that still remains in print in Japan.
This one was originally released in 1985. The SACD remaster here was done by Greg Calbi and he has done a surprisingly good job on it.
The album was clearly well recorded, and Calbi does not seem to have tinkered with what was on tape to any noticeable extent.
It has a warm smooth analog patina and is surprisingly full sounding. As a bonus there is also no evidence of any treble boost.
Kip Hanrahan is certainly for the more adventurous, but on this SACD at least you are unlikely to be disappointed with how it sounds!