Haydn: Complete Songs - Ameling, Demus
PentaTone RQR PTC 5186 185 (2 discs)
Stereo/Multichannel Hybrid
Classical - Vocal
Haydn: 12 Songs with Clavier (first set), 12 Songs with Clavier (second set), 6 Original Canzonettas (first set), 6 Original Canzonettas (second set) etc.
Elly Ameling (soprano)
Jörg Demus (piano)
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- Joseph Haydn: A Pastoral Song, Hob. XXVIa:27
- Joseph Haydn: Abschiedslied, Hob. XXVIa:F1
- Joseph Haydn: Als einst mit Weibes Schönheit - Lied, Hob. XXVIa:44
- Joseph Haydn: An Iris - Lied, Hob. XXVIa:7
- Joseph Haydn: An Thyris - Lied, Hob. XXVIa:8
- Joseph Haydn: Auch die sprödeste der Schönen - Lied, Hob. XXVIa:18
- Joseph Haydn: Auf meines Vaters Grab - Lied, Hob. XXVIa:24
- Joseph Haydn: Bald wehen uns des Frühlings Lüfte - Lied, Hob. XXVIa:47
- Joseph Haydn: Beim Schmerz, der dieses Herz durchwuhlet - Lied, Hob. XXVIa:37
- Joseph Haydn: Content - Lied, Hob. XXVIa:36
- Joseph Haydn: Cupido - Lied, Hob. XXVIa:2
- Joseph Haydn: Das Leben ist ein Traum - Lied, Hob. XXVIa:21
- Joseph Haydn: Das strickende Mädchen - Lied, Hob. XXVIa:1
- Joseph Haydn: Der erste Kuß - Lied, Hob. XXVIa:3
- Joseph Haydn: Der Gleichsinn - Lied, Hob. XXVIa:6
- Joseph Haydn: Der schlaue und dienstfertige Pudel - Lied, Hob. XXVIa:38
- Joseph Haydn: Despair - Lied, Hob. XXVIa:28
- Joseph Haydn: Die Verlassene - Lied, Hob. XXVIa:5
- Joseph Haydn: Die zu späte Ankunft der Mutter - Lied, Hob. XXVIa:12
- Joseph Haydn: Eine sehr gewöhnliche Geschichte - Lied, Hob. XXVIa:4
- Joseph Haydn: Fidelity - Lied, Hob. XXVIa:30
- Joseph Haydn: Gegenliebe - Lied, Hob. XXVIa:16
- Joseph Haydn: Geistliches Lied, Hob. XXVIa:17
- Joseph Haydn: Gott, erhalte den Kaiser! - Lied, Hob. XXVIa:43
- Joseph Haydn: Jeder meint, der Gegenstand - Lied, Hob. XXVIa:13
- Joseph Haydn: Lachet nicht, Mädchen - Lied, Hob. XXVIa:14
- Joseph Haydn: Landlust - Lied, Hob. XXVIa:10
- Joseph Haydn: Liebeslied, Hob. XXVIa:11
- Joseph Haydn: Lob der Faulheit - Lied, Hob. XXVIa:22
- Joseph Haydn: Minna - Lied, Hob. XXVIa:23
- Joseph Haydn: O fliess, ja wallend fliess in Zähren - Lied, Hob. XXVIa:19
- Joseph Haydn: O liebes Mädchen, höre mich - Lied, Hob. XXVIa:15
- Joseph Haydn: O Tuneful Voice - Lied, Hob. XXVIa:42
- Joseph Haydn: Pensi a me sì fido amante - Lied, Hob. XXVIa:46
- Joseph Haydn: Piercing Eyes - Lied, Hob. XXVIa:35
- Joseph Haydn: Pleasing Pain - Lied, Hob. XXVIa:29
- Joseph Haydn: Recollection - Lied, Hob. XXVIa:26
- Joseph Haydn: Sailor's Song, Hob. XXVIa:31
- Joseph Haydn: She never told her love - Lied, Hob. XXVIa:34
- Joseph Haydn: Sympathy - Lied, Hob. XXVIa:33
- Joseph Haydn: The Lady’s Looking-Glass - Folksong arrangement, Hob. XXXIc:17
- Joseph Haydn: The Mermaid's Song, Hob. XXVIa:25
- Joseph Haydn: The Spirit’s Song, Hob. XXVIa:41
- Joseph Haydn: The Wanderer - Lied, Hob. XXVIa:32
- Joseph Haydn: Trachten will ich nicht auf Erden - Lied, Hob. XXVIa:39
- Joseph Haydn: Trost unglücklicher Liebe - Lied, Hob. XXVIa:9
- Joseph Haydn: Un tetto umil - Lied, Hob. XXVIa:45
- Joseph Haydn: Zufriedenheit - Lied, Hob. XXVIa:20
Review by John Broggio - October 15, 2009
In short, the playing of Jorg Demus and the singing of Elly Ameling is wonderful and quite beyond reproach. Throughout they feed off each others ideas and make what could otherwise be stale music come alive. Despite the use of a Steinway, Demus' playing style is very sympathetic and is in no way too grand for such delicate accompaniments. As listeners familiar to Ameling's art from other recordings will be glad to discover, her voice is as radiant as ever.
This set of "complete songs" is missing at least one song (Der Feldzug) and possibly many more if one is to count the many supplemental songs now attributed to the great composer. Gifted though Haydn undoubtably was in many areas, the song is not an area where he excels; almost all the songs here are in the major, including one that has as a text for the first verse "The anguish of my bursting heart/Till now my tongue hat ne'er betray'd./Despair at length reveals the smart;/No time can cure, no hope can aid." - not a desperately jolly song you might have thought but if one couldn't speak English, you would have no idea about the rather heart-rending content.
The sound is fine, as one has come to expect of this series and balances Ameling well against Demus' Steinway. The multi-channel layer adds a realistic sense of acoustic in a most believable manner.
Good though it is, this is probably for Ameling fans or Haydn completists only.
Copyright © 2009 John Broggio and HRAudio.net
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