SearchsearchUseruser

Schumann, Brahms - Claudio Arrau

Schumann, Brahms - Claudio Arrau

PentaTone RQR  PTC 5186 170

Stereo/Multichannel Hybrid

Classical - Instrumental


Schumann: Kinderszenen Op. 15, Brahms: Paganini Variations Op. 35

Claudio Arrau (piano)

Support this site by purchasing from these vendors using the links provided below.
As an Amazon Associate HRAudio.net earns from qualifying purchases.

bol.com
 
jpc
Presto

Add to your wish list | library

 

3 of 4 recommend this, would you recommend it?  yes | no

All
show
Recording
show
hide
Analogue recording
Reviews (1)
show
hide

Review by John Broggio - November 5, 2009

Arrau's playing of Kinderszenen is superb and captures both the innocence of childhood whilst reflecting the knowing wisdom that being an adult brings. His tone is both warm and rich, though never cloying in such delights as Traumerei, which brings a consistent delight to the ears. This approach is also maintained and justified in the faster (but not tricky) movements. The title of the concluding number of the set "Der Dichter spricht/The poet speaks" basically sums up the performance from Arrau.

His performance of Brahms Paganini variations however is less recommendable as a whole. As noted in Liszt: 12 Études d’exécution transcendante - Arrau and Chopin: Complete Preludes, Schumann: Papillons - Claudio Arrau, Arrau perhaps shies away from open virtuosity, which arguably several variations and the finales of each book call for. In the slower, more poetic variations, Arrau plays with a sense of line and vision that is rarely heard. Sadly, in the more extrovert variations, Arrau must yield to Brahms: Variations for piano solo - Schmitt-Leonardy - although Schmitt-Leonardy has his faults, he at least can render the trickiest passages in tempo and evenly. Ultimately neither performance is entirely satisfactory; Schmitt-Leonardy is less well contrasted than Arrau but he produces a better reproduction of the printed score but in sound that is far less beautifully balanced than Arrau's.

The sound, recorded in the Concertgebouw in 1974, is firm and rich with a balance that is just right - listening closely, one can occasionally hear the workings of the pedal mechanism but it is far from distracting and one is caught up with the music making.

Altogether, a curate's egg and with a playing time of under 46 minutes, many may regard this as poor value. I wouldn't want to be without this Kinderszenen though!

Copyright © 2009 John Broggio and HRAudio.net

Performance:

Sonics (Multichannel):

stars stars