Linn Records  CKD 418

Stereo/Multichannel Hybrid

Classical - Chamber

Johann Sebastian Bach: Prelude and Fugue in G Major, BWV 541; An Wasserflüssen Babylon, BWV 653b; Wer an ihn gläubet, BWV 68 (v); Concerto in A Major, III, BWV 1055; Seht,was der Liebe tut, BWV 85 (v); O Mensch,bewein dein Sünde Groß, BWV 622; Von Gott kömmt mir in Freudenschein, BWV 172 (vi); O Lamm Gottes, unschuldig, BWV 656; Prelude: English Suite No.2 in A minor, BWV 807; Sarabande (Cello Suite No.6, arr.Fryer), BWV 1012
Johann Heinrich Bach: Sonata in F Major
Johann Michael Bach: Ach,wie sehnlich wart ich der Zeit (Aria)
Johann Christoph Bach: Ich lasse dich nicht,BWV Anh. 159
Johann Ludwig Bach: Overture in G Major
Gottfried Heinrich Bach: So oft ich meine Tobackspfeife
Johann Christoph Friedrich Bach: Rondo Allegretto: Sonata, F. X/2
Carl Philipp Emanuel Bach: Sonata in G minor III, Wq 65/17(H47)
Johann Bernhard Bach: La Joye (from Suite No.4 in C)
Wilhelm Friedemann Bach: Polonaise No.10 in F minor (Falck 12)
Johann Christian Bach: Sinfonia (Overture,Amadis des Gaules), W. G39

Jonathan Freeman-Attwood (trumpet)
Daniel-Ben Pienaar (piano)


Bach specialist Daniel-Ben Pienaar has arranged music from a great uncle, close cousins, distant cousins, and five sons, all related to the great J. S. Bach in a wholly unique recital programme.

Aesthetic passions drive the repertoire and performance choices as the duo explore vocabularies not usually associated with trumpet and piano chamber music: brushing up against ‘period' gesture, ornamentation and articulation, whilst also co-referencing less fashionable inspirations from the past, including those judged ‘romantic' in coloration, whether in the use of the pedal, rubati or articulation.

Jonathan Freeman-Attwood's is an established authority on Bach interpretation, particularly as it challenges and refocuses historical perspectives on ‘performance practices' and how recordings of the past can influence current priorities and tastes.