Trace of Impressions - Nilsson, Bjelland

2L 2L-098-SACD
Stereo/Multichannel Hybrid
Classical - Chamber
Claude Debussy: Beau Soir (arr. Jascha Heifetz); La fille aux cheveux de lin (arr. Arthur Hartmann); Sonata for Violin and Piano
Maurice Ravel: Sonata for Violin and Piano in G major; Vocalise-étude en forme de habanera; Sonate Posthume; Pavane pour une infante défunte (arr. Nilsson/Bjelland)
Anders Kjellberg Nilsson (violin)
Sveinung Bjelland (piano)
The accelerating globalisation that took place from the mid-19th century had a profound impact on cultural and artistic developments in Europe, and exposure to the art and music from distant parts of the world was, for many, something of a shock and provided a major source of inspiration. In painting, for example, French artists sought new motifs and styles, and Impressionism emerged. It was not long before composers followed their example, and for them the philosophical and artistic world of the Far East was an especially dynamic influence. The music of Debussy and Ravel is a prime example of this, and shows the arts following new paths while, at the same time, forging fresh ones for others to follow.
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- Claude Debussy: Beau soir, L 6
- Claude Debussy: Préludes I (12), L 117 No. 8 Le fille aux cheveux de lin
- Claude Debussy: Violin Sonata, L 140
- Maurice Ravel: Pavane pour une infante défunte, M. 19 for Piano
- Maurice Ravel: Violin Sonata in A minor, M. 12 'Posthumous sonata'
- Maurice Ravel: Violin Sonata in G major, M. 77
- Maurice Ravel: Vocalise-étude en forme de Habanera, M. 51
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